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    The aim of the project Unveiling personal memories on war and detention is to affirm personal memories of all interested witnesses of political events in Croatia and to preserve them from falling into oblivion.Read more

    The methodology which Documenta – Centre for Dealing with the Past uses in collecting personal memories is partially grounded in the basic methodological principles of the oral history method. It has been used since 1948, when the oral history method was accepted in the scientific community as a technique of documenting history and it enables Documenta, as a human rights organization working on the process of dealing...Read more

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    The CroMe project is financed by the Netherlands Ministry of Foreign Affairs under Matra Programme: supporting social transition. The Matra programme supports countries in Southeast and Eastern Europe in the transition to a pluralist and democratic society, governed by the rule of law.Read more

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Božidar Jurjević

Božidar Jurjević was born in 1963 in Dubrovnik. After studying at the Visual Arts Academy in Sarajevo, he returned to Dubrovnik where he still lives to this day. He spent the period of the siege of Dubrovnik in the town. He was active in the Art radionica Lazareti [Lazareti Art Workshop] from its very beginnings. During the siege, together with his fellow artists, he drew inspiration from the war sufferings of the town. At the end of 1992 and again in 1995 he was mobilised and spent a part of the war at positions in Croatia and eastern Herzegovina. In 1990, with a few other artists from Dubrovnik, he participated in the project "Pustinja slobode" [Freedom Desert] in which, in some form, future war events were anticipated. The primary medium of his artistic expression is performance. To this day, he conceptualises art performances through which he expresses opposition to the current government in Dubrovnik and the current social situation. He lives in Dubrovnik and is a freelance artist.

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Family origin Growing up in Dubrovnik Yugoslavia in the 1980s Return to Dubrovnik Anticipation of war Beginning of the War Art Workshop Lazareti Primitivism Life under siege Mobilization Influence of politics on art War as inspiration Human losses Relationship towards former enemies Life after the war
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